Bill, Max. "Horitzontal-Vertikal-Diagonal-Rhythmus". 1942.
This piece of Bills' takes on a completely different style than his other piece "Wohnbedarf". Although, it still fits into the principles set forth during the Swiss design movement. Unlike his other works that focus primarily on the grid system, composition, and typefaces, this piece includes the components asymmetry, geometric abstraction, and simplicity. The movement created by the black lines add intricacy to this piece and make it pleasing to view. I believe adding this piece to my research is valuable for variety in style.

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