Joyce, Mike. "Blondie at CBGB and OMFUG". 1975.
This reminds me of a value scale one would learn for shading in art class. This piece is monochromatic, which is one of Joyce's only works that use this technique. The overall composition is extremely minimalistic, but the gradual darkening of each box adds lots of depth to the piece. What I've noticed is that a stylistic choice by Joyce is that regardless of the band, each band name is written in lowercase sans serif fonts. I'm not sure why he chose to do this, but I think it works well for his style and makes all of his pieces regardless of how different they may be flow together in unison.
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